55 www.CharlestonWomenPodcast.com | www.ReadCW.com | www.Instagram.com/CharlestonWomen The Summerville Orchestra (S.O.) is a crescendo of musical joy and communal spirit. Founded in 2003 by Betty Settle, this group has blossomed into a vibrant hub for local talent and cultural enrichment. Known for her humble nature, Settle wouldn’t describe herself as the visionary she unknowingly was. Hers was a simple idea — she enjoyed playing her violin as a student. So, she put word in the local newspaper that a musical group was being formed, encouraging anyone with a love of classical music to join — no auditions required. A handful of community members joined, some with professional experience, some who had just begun. That was 20 years ago. In 2024, the orchestra earned the distinction of “best performing community orchestra in the nation,” an award given by the prestigious American Prize. Imagine the look on Settle’s face if she’d known this outcome two decades ago when the group began with a simple yet profound mission which endures, “to share our love of music by engaging and enriching our community through the evolution of the orchestral artform.” What began with a modest ensemble of 15 musicians has now grown to approximately 75 members. Performances now often include fusions of modern movie scores and Disney themes, the soundscape and experience always moving like the rhythms themselves. The orchestra’s journey is not just a story of musical growth but also one of groundbreaking inclusivity. Historically, orchestras have been male dominated, but the S.O. has boldly embraced gender diversity. Of their 14 principal musicians, eight are female. Executive director Andrew Price highlighted the orchestra’s progressive stance and relayed, “We take the traditional orchestral approach and throw it out the window.” Settle added, “I love that we have all ages, both males and females and various cultural backgrounds.” The blend of perspectives enriches every performance, creating a dynamic and engaging experience for audiences. This spirit is unmistakable in every facet of the S.O. Lillian Starr Garcia, a principal percussionist and board member, is an example of the glass ceilings the orchestra has broken. When Lillian chose the drums in sixth grade, her mom asked her, “Why would the smallest person pick the biggest instrument?” Lillian’s retort, “Because I want to.” The Summerville Orchestra’s impact also extends far beyond concerts. Through partnerships with local schools and generous community support, the S.O. offers educational programs that nurture young talent. Director of youth programs DeAnndra Glenn noted, “The orchestra connects local musicians from all walks of life, providing them with an avenue to perform together.” There are numerous ways to get involved with the orchestra. From attending performances and engaging in community events, to sponsoring and donating, every effort helps sustain the orchestra’s vibrant activities. Marlena Davis, the librarian/personnel manager, encourages women to become more involved with the S.O. by attending intimate events like Encore Series and Music Chats. “These settings offer a unique opportunity to interact with musicians and experience the magic of orchestral music up-close,” she said. The Summerville Orchestra is more than just an ensemble; it is a living, breathing testament to the power of community, the importance of inclusivity and the transformative magic of music. For more on The Summerville Orchestra, please visit SummervilleOrchestra.org. Charleston Women in the Arts The Summerville Orchestra Award-winning symphony fosters inclusion, education and community BY KATIE FINCH From left to right: Lillian Starr Gregorio Garcia, Betty Settle, DeAnndra Glenn and Marlena Davis. Photo by Nina Kahn
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